Free Ebook How the West Was Sung

Free Ebook How the West Was Sung

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How the West Was Sung

Free Ebook How the West Was Sung

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Review

“Kalinak artfully weaves the history and pedigree of nearly every tune [in] Ford’s Westerns . . . with their social and cultural meanings.” (Notes 2010-07-06)“Thoroughly researched and well-written. . . . Illuminating.” (American Studies Journal 2010-07-14)

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From the Inside Flap

"How the West Was Sung is beautifully written, judiciously argued, and thoroughly researched. Even if you have a tin ear, Kathryn Kalinak will have you hearing Ford's Westerns in an entirely new way. This brilliant book represents a complete rethinking of films we thought we already knew."―Krin Gabbard, author of Black Magic: White Hollywood and African American Culture

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Product details

Paperback: 268 pages

Publisher: University of California Press; First edition (September 17, 2007)

Language: English

ISBN-10: 9780520252349

ISBN-13: 978-0520252349

ASIN: 0520252349

Product Dimensions:

5.9 x 0.7 x 8.9 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#984,398 in Books (See Top 100 in Books)

I saw reference to this book in a catalog and tracked it down through Amazon. Found it absolutely delightful and informative. It covers all the Ford westerns, even those filmed in the silent era, where the musical compositions were prepared as sheet music to be played in-house inside the theatre where the films were being shown. I was especially interested in the martial music from the "Cavalry trilogy" films---Fort Apache, She Wore A Yellow Ribbon, and Rio Grande---as well as Sergeant Rutledge and The Horse Soldiers (which drew only minor mention, as the author doesn't consider it a proper "western", but, rather, a civil war movie). The insights into the uses of hymns, folk songs, and military performances were quite insightful and the book is chock full of great background data on such material. I always loved the jaunty, bouncy, ,stirring music of "She Wore A Yellow Ribbon", and the author gives a captivating summary of everything that went into creating the music for that film, and on each of the songs such as the title piece, and on the accompanying songs like "Garry Owen", "Dixie", and "The Girl I Left Behind Me". This book was no disappointment in the least and I recommend it unreservedly. It is truly a keeper. It was delivered promptly and "as advertised" and is a volume that will stand on my bookshelf for a long time to come.

This work is dense and scholarly, and reveals a great deal of information about Ford's usage of music in his many films. It is very enlightening regarding the role of music in pre- and post-production. The author obviously spent a great deal of time poring over archival material and interviewing the few still surviving who participated in the creation of Ford's many classic works. I would only improve this work by adding more photos, perhaps captioned to describe the music associated with the scene depicted.

K. Kalinak was my college film teacher a few years back at RI College. Her classes were challenging and thoughtprovoking. She always provided her students with excellent feedback and ideas on ways to improve. Her book is fantastic. I can't say enough great things about her book. If you are a RIC student make sure to pick up a copy and support your faculty. She worked so hard on this wonderful book. If your into Ford films you will get a really deep and intricate account of how music was used to create diffrent scenarios. Fantastic.

Thanks.

Academically oriented book that examines the use of music in director John Ford's western films. The soundtracks of Ford's films have always been of interest to me for their use of standards from American history - songs like Bonnie Blue Flag, My Darling Clementine, She Wore a Yellow Ribbon, and so many more. These were songs I grew up and hearing them in the Ford films brings back a lot of nostalgia. The book takes each of Ford's westerns, including the silents, and examines the use of music in them. I had no idea that Ford himself, personally selected the music used in the film. It was also interesting to hear how lyrics were sanitized for movie audiences from the original lyrics. The author covered the origins of the songs and in many cases, the songs themselves were written after the time period of the film. I found the book interesting but only wish it were accompanied by a cd that would have perhaps given us the John Ford version of the song vs. the original version. I know this would have increased the cost of the book but it would have been easier to hear what the author was speaking about. Overall, an interesting look at the music in the films of John Ford but more scholarly than I anticipated.

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