Free Ebook California's Wild Edge: The Coast in Prints, Poetry, and History
Free Ebook California's Wild Edge: The Coast in Prints, Poetry, and History
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California's Wild Edge: The Coast in Prints, Poetry, and History
Free Ebook California's Wild Edge: The Coast in Prints, Poetry, and History
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Review
“Tom Killion is a California treasure. No other artist knows the state's wild landscapes more intimately, or captures them more faithfully. His exquisite woodcuts combine a walker's inch-by-inch knowledge of the terrain with a compositional sense as dramatic and unerring as that of the great Japanese masters Hokusai and Hiroshige. But Killion isn't only a wonderful artist, he's also a first-rate writer, and both those qualities are showcased in his marvelous new book, California's Wild Edge. Killion says that the book is 'about finding the song of the California coast,' and the combination of his graceful and learned historical essays, a rich sampling of poetry, and of course his spectacular art, add up to a veritable symphony of this special place where land meets sea.” --Gary Kamiya, author, Cool Gray City of Love: 49 Views of California“In addition to being a great artist, Killion is also a serious historian and a terrific prose stylist. This career-spanning retrospective is a vibrant, soulful tribute to the Golden State.” --Richard M. Lange, Sunset“Renowned Grass Valley poet Snyder's words are the light shining alongside Killion's deep expositions and exquisitely rendered art.” --Lou Fancher, San Jose Mercury News“Once you see Killion's woodcuts of natural California, you're likely never to look at the land around you in the same way again.” --Wallace Baine, Santa Cruz Sentinel“The art of California's Wild Edge...is breathtaking. Its text a fusion of natural and human history, poems and journal entries by various writers, and personal memoir constitutes a mini-course in California culture that delights and surprises at every turn.” --William Ray, Steinbeck Now
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About the Author
Woodcut and letterpress artist Tom Killion grew up in Marin County, California, on the slopes of Mt. Tamalpais, where the rugged scenery inspired him from an early age to create landscape prints strongly influenced by traditional Japanese woodblock prints. Along with publishing fine art letterpress books, Killion holds a PhD in African history from Stanford University and has taught history at several Bay Area universities. He is the founder of The Quail Press and his extensively illustrated books include 28 Views of Mount Tamalpais, The Coast of California, and Walls: A Journey Across Three Continents. Killion and Gary Snyder previously collaborated on The High Sierra of California, which was published by Heyday in 2002 and Tamalpais Walking, published in 2009.
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Product details
Hardcover: 208 pages
Publisher: Heyday; 1st edition (September 1, 2015)
Language: English
ISBN-10: 1597142999
ISBN-13: 978-1597142991
Product Dimensions:
12 x 1.2 x 9.5 inches
Shipping Weight: 3.2 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
28 customer reviews
Amazon Best Sellers Rank:
#353,705 in Books (See Top 100 in Books)
Yes, this is clearly a preposterous publication, because common sense tells us that such a high quality book is almost an impossibility!It is not just the beautiful color and black and white prints that cause this book to stand out as a magnificent historical (and contemporary, given Tom Killion's beautiful visuals) summary of California's magnificent coastline, and of the values and lives of the inhabitants, over time.It is just plain preposterous that Killion has been able to sew together so much of the beauty of the coast, including the botanical beauty and the visual beauty, along with the beauty and awareness of this coast's past inhabitants.Beware, this book's hardbound edition will mesmerize you, and draw you into its subject matter...
Killion is a remarkable artist. Coupled with Snyders sometimes dreamy, often pinpoint realistic descriptions, this (and all in the series so far) take one on a visual and spiritual trip through California's most amazing topography.Killions prints are so magnificent that their brilliance comes through even in book plates... which are very good in themselves.If you're a fan of Japanese woodblock, or really any printing style, this book and Killion's works are for you. If you are a lover of visual and word arts, then this is a real delight to behold.
Gorgeous art and a text that combines selected poetry with the clearest, most informative, most engaging account of human interactions with the sea, the shore, and the coastal California. I've read many books about California---this one is special.
This is a beautiful, high-quality, hardback book. It could be considered a coffee-table book: 9-1/2 x 12 inches, 187 pp., with thick paper pages and a gorgeous dust jacket. I counted 41 color pix, many full page, and tons of b&w--Killion really knows how to do b&w and they are just as wonderful as the color. There is also text and poetry here, but I have to confess I just look at the artwork and am amazed. BTW, I would also recommend checking out Killion's previous two books.
While the other reviews of this book are insightful, accurate and substantive, I find myself (after reading and viewing it many times) just as impressed and impacted by Tom Killion's text, as I am by the color & B&W prints. We all know how talented Killion is with his woodblock prints, and many of us understand the vital importance of Robinson Jeffers, but the more I read this book, the more I find myself enthralled by Killion's writing.He has chosen the very best quotes and excerpts from so many poets and writers, going far back into the first recorded diaries and comments about California's coast, plus Killion's own commentary and opinions and historical insights are themselves a keypart of the vitality and composition of this fantastic book. I have always enjoyed Tom's art, but this book makes me very aware of his superb talents as a writer. I hope the rest of you who buy and read this gem, appreciate the author's own writing and editing, along with his incredible woodblocks, as much as I have.Again, this book shines at first because of the excellent prints and typography, but then it glows even more as you peruse it in its entirety, due to the quality of the poetry (not just Jeffers' poetry), the historical interest and facts that it conveys, and then because Heyday Books has done its usual phenomenal job of editing, composition, book design, etc.What a "wild" and "preposterous" book, and what an interesting, enjoyable read and visual treat...the only (mild) criticism I have is that Gary Snyder's comments and poetry are included. Snyder says here that Jeffers "could have been a great poet", which of course is ludicrous (Jeffers clearly WAS a great poet). I suspect that Gary Snyder is jealous of Robinson Jeffers, and in my opinion, the inclusion of Snyder's poetry and comments was unnecessary.Furthermore, Snyder knows far too little about California, as indicated in his poem "Sharing an Oyster with the Captain". In this poem, Snyder claims that in 1579, Francis Drake sailed into the Farallones and saw "scotch broom" among other plants.There was no scotch broom in California, in 1579. That weedy plant didn't come to California (from western and central Europe) until the 1800's, primarily during the Gold Rush (the broom seeds were used as fillings in mattresses).
The history, poetry, and art of California's cultural tapestry are seamlessly conjoined in this stunning book by a craftsman who, like his hero and artistic fellow-traveler Rockwell Kent, writes as well as he illustrates. The wild and untamed territory of the human imagination has found a contemporary voice--and vision--in Tom Killion, a true American original, like Rockwell Kent.
good packaging, good price.
Full of information that most readers will not know. Gorgeous woodcuts. Wide range of poetry selections will appeal differently depending on the reader's tastes, but always well-selected to compliment the theme of the book. I was especially taken with the quotes from Richard Henry Dana, who had been only a name in a wide pantheon of "classics" before Mr. Killion let his readers hear his voice.
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